Mama and the Snake

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Most Aztec artistic representations of Coatlicue emphasize her deadly side, because Earth, as well as loving mother, is the insatiable monster that consumes everything that lives. She represents the devouring mother, in whom both the womb and the grave exist. According to Aztec legend, Coatlicue was once magically impregnated by a ball of feathers that fell on her while she was sweeping a temple, and subsequently gave birth to the god Huitzilopochtli.

Her daughter Coyolxauhqui then rallied Coatlicue's four hundred other children together and goaded them into attacking and decapitating their mother. The instant she was killed, the god Huitzilopochtli suddenly emerged from her womb fully grown and armed for battle. In one variation on this legend, Huitzilopochtli himself is the child conceived in the ball-of-feathers incident and is born just in time to save his mother from harm.

Cecelia Klein argues that the famous Coatlicue statue in the National Museum of Anthropology in Mexico , and several other complete and fragmentary versions, may actually represent a personified snake skirt. The myth relates that the present Sun began after the gods gathered at Teotihuacan and sacrificed themselves.

The best-known version states that Tezzictecatl and Nanahuatzin immolated themselves, becoming the moon and the sun. However, other versions add a group of women to those who sacrificed themselves, including Coatlicue.

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Afterwards the Aztecs were said to have worshipped the skirts of these women, which came back to life. Coatlicue thus has creative aspects, which may balance the skulls, hearts, hands, and claws that connect her to the earth deity Tlaltecuhtli. The earth both consumes and regenerates life.